Recital and Encores with compositions by Reger, Weber, Portnoff and Rossini
the Concert Stage
as in the Finest Homes
only Jorge Bolet performed on a Baldwin piano. Other Remington pianists
liked the Baldwin grand pianos too: Pierre Luboshutz and Genia Nemenoff.
In this Baldwin ad they find themselves in the good company of Benno Moisewitsch.
and Joseph Paratore, who are considered one of today's foremost keyboard
duos said: "One of our favorite duo-piano teams of the past is
Luboshutz and Nemenoff. Their style of playing was unique in the way
they handled ritardandi and rubati together."
The liner notes
on the jacket of Remington R-199-143 (written by John W. Freeman) also
contain the following information about the famous duo pianists:
Luboshutz, of Russian birth, and Genia Nemenoff, a Parisian
of Russian extraction (in private life Mrs. Luboshutz), first
met at the Paris Conservatory where Pierre Luboshutz
was conducting a master class for a small group of professionals,
among them Genia Nemenoff. Each was a solo artist - but together
they found in their combined playing a new art - a new world
of sound - and today their concert appearance is anticipated
in three continents as an outstanding event of the season. They
have been tireless in perfecting their standard of virtuosity
and musicianship. Their search for two-piano literature has
uncovered many a long-forgotten work; outstanding composers
have dedicated compositions to them and they themselves through
their own arrangements have enlarged the musical field for the
art of the duo-piano. They have played for kings and queens,
for the people of every nation, and with all the great orchestras
of the world - and their guest appearances with Toscanini establishes
them as the only duo-piano team to play under the great master.
Remington is proud to present these two virtuosos of the keyboard."
who was born on June 17th 1891 in Odessa, and was the pianist in the
Luboshutz Trio (Lubosic Trio) with violinist LiŠ Saulovna Luboshutz
(22.02.1885 - 18.03.1965) and cellist Anna Saulovna Luboshutz (25.07.1887
In 1926 Pierre came to the US as accompanist to violinist Efrem (Efraim)
Zimbalist (who was director of the Curtis Institute of Music in
Philadelphia from 1941 to 1961). Pierre Luboshutz concertized with cellist
Gregor Piatigorsky many times. He also accompanied Sergei
Koussevitzky when the maestro was giving recitals playing the double
bass. Some of their performances were recorded and released by the Victor
Company in 1928: Andante from Concerto in f (Koussevitzky), Valse miniature
(Koussevitzky), Minuet in G (Beethoven), Chanson triste and Largo from
Sonata (Koussevitzky). Pierre and Genia performed Mozart's K 365
in 1944 in Boston's Symphony Hall and Bach's Concerto for Two Pianos
at Tanglewood in 1947 under the direction of the great conductor.
Luboshutz and Genia Nemenoff at the time of their Victor recordings
and some ten years prior to their Remington recordings.
of the couple taken from magazine The Etude of January 1941
(edited by R.A.B. (SoundFountain-Remington Site Archive).
and Genia Nemenoff made many more recordings in the shellac era for
Variations on a Theme of Haydn and Liebeslieder Waltzer.
Chopin: Rondo in C Op. 73.
Falla: Ritual Fire Dance.
Glinka: The Lark.
Kreisler: Tambourin chinois
Mendelssohn-Bartholdy: Allegro brilliant, Scherzo from A Midsummer
Mussorgsky: Coronation Scene from Boris Godunov.
Mozart: Overture from Le Nozze di Figaro and Sonata in D.
Riegger: New Dance.
Rossini: Largo al Factotum from "The Barber of Seville".
Saint-Saëns: Dance Macabre.
Schumann: Andante and Variations.
Shostakovich: Polka; Waltz from the suite "The Golden Mountains".
Strawinsky: The Shrove-Tide (from Petrushka, Petrouchka).
arranged many compositions for 2 pianos and also wrote own works like
"The Bat, A Fantasy on themes from Die Fledermaus by Johann Strauss".
When they were
already for 18 years a successful duo they made recordings for the Remington
label around 1954.
On R-199-143 Pierre and Genia play Reger's 'Introduction, Passacaglia
and Fugue', Pierre's arrangement of 'Rondo in D Major' (Carl Maria von
Weber), 'Rondo in C Major' Op. 73 (Frederic Chopin), 'Perpetual Motion'
on a theme by Brahms (Portnoff) and Kovacs's arrangement of 'Largo al
factotum' from 'The Barber of Seville' (Rossini). This record was released
in July 1953.
Mozart, Saint-Saëns, Debussy and Falla.
Cover by Alex Steinweiss.
for a Sound Clip of Manuel de Falla's Ritual Fire Dance in an Arrangement
for Two Pianos by Pierre Luboshutz, performed by the Duo-Pianists.
they perform the arrangement by Pierre Luboshutz of De Falla's "Ritual
Fire Dance" which the duo-pianists play with assurance and verve.
A very sensitive performance of 'Variations on a Theme by Beethoven'
composed by Camille Saint-Saëns, and 'Lindaraja' by Debussy can
be found on that same disc which has on Side One Wolfgang Amadeus Mozart's
Sonata in D., K 448.
Their playing is
lean, technically practically perfect and has a lot of strength and
drive, which they particularly show in the execution of "Introduction,
Passacaglia and Fugue" by Max Reger on R-199-143. But also their
Mozart is of the highest quality.
Nemenoff and Pierre Luboshutz in the nineteen sixties when Vanguard
released a stereo disc with works by Milhaud, Shostakovich, Khachaturian,
Glinka and Mendelssohn.
Picture taken from Vanguard VSD
The couple had
met for the first time in Paris in 1931, married in 1931 and formed
a piano duo in 1937.
Pierre Luboshutz died on April 17th, 1971, and was buried in the Seaview
Cemetery in Rockport, Maine, USA.
Genia Nemenoff - born in Paris, Oct. 23, 1905 - died in 1989. She is
buried next to her husband Pierre Luboshutz.
Rudolf A. Bruil - February