Arthur BROWN, condutor
Gaspar CASSADO, cellist
(Céline) CHAILLEY-RICHEZ, pianist
and Musicologists: Sigmund SPAETH, John W. FREEMAN,
Irving KOLODON, Louis BIANCOLLI, Betty REINMAN,
Max de SCHAUENSEE, Irving SABLOSKY, Jerome BOEHM
(also spelled Bohm)
CURTISS, manager Webster pressing plant
von (Ernö) DOHNANYI, composer pianist/conductor
ENESCO (George Enescu), violinist/conductor
H. GABOR, founder, owner and producer
GUENTHER / Günther), conductor
HALASZ, conductor/recording director
HELSINKI UNIVERSITY CHORUS
JOHNSON, conductor and the Cincinnati Symphony Orchestra
LUBOSHUTZ and Genia NEMENOFF,
and Alice PASHKUS, violin pedagogues
(George) SEBASTIAN, conductor
STEINWEISS and other artists and designers for the Remington
John WITT, H. KAEBETZ, SLONEVSKY, ALBITZ,
RADO, Rudolph DE HARAK, etc.
WEIDLICH, pianist and conductor
Covers of Curt John WITT
Friedrich WüHRER, pianist
on the lighter side
PAULEE, mezzo soprano
- 78 RPM Jazz
CORPORATION OF NEW ENGLAND
Record Pressery, Webster, Massachusetts
NULL'S REMINGTON SERIES
on the Varèse-Sarabande Label
1995-2014 by Rudolf A. Bruil
site was first begun in 1999 and published in its basic structure
and concept which is maintained up to this day.
It is about REMINGTON
RECORDS, the various artists who recorded for it, the uniqueness
of the label, it is about its owner and producer DONALD
H. GABOR, and tells about the other labels he created.
The site is constantly updated and extended as eventually more details
do become available. So it will be continuously "under construction"
and more links will be added and activated in time.
REMINGTON SITE contains historical documentation
and is intended for educational and informational use only.
Images on these pages were created from the covers of recordings,
material in my personal collection (magazines, program notes,
booking ads, brochures and articles), and from material submitted
to me by artists themselves and contributors.
Several biographical and historical data of artists, producers and
other people involved are
compiled from liner notes of a specific lp, old encyclopedia, magazines,
books and many other sources. Various details
have also been submitted by the artists themselves or their relatives,
and/or several contributors. Data about releases are taken from
old editions of a variety of catalogs, advertisements, booking ads,
reviews in record magazines, all in my personal collection.
All rights (if not expired) are reserved, and remain with the various
copyright owners, including myself.
may view these pages for personal and/or academic use only.
Copying and multiplying the contents in part or as a whole by
means of photocopy, print and/or proliferating it by means of
electronic carriers and/or via electronic media, without the written
consent of Rudolf A. Bruil, owner and publisher of this website,
is prohibited by international copyright law.
gain can be made from the contents of this site by third parties.
This entire site is DMCA protected.
am indebted to:
Ryan Barna (USA)
Dominique Chailley (France)
Iria Costas (Spain)
Ursula Erhart-Schwertmann, cellist (Austria)
Mme Fabian Gastellier-Hathorn (France)
Timothy Gaspar (USA)
Eso Haapa-Aho (Finland)
Mr. and Mrs. Laszlo Halasz (USA)
Mrs. Roswitha Heintze, conductor/pianist (Austria)
Dr. Klaus Holzapfel (Germany)
Mrs. Patricia Jaeger, violin teacher (USA)
Alexander Jenner, pianist (Austria)
Mrs. Felicitas Karrer, pianist (Austria)
Franz Krahberger (Austria)
Heinrich Köhler, cellist (Germany)
Doris Köhler (Germany)
Yorgos Manessis (Greece)
Tom Null, former producer of Varèse-Sarabande and
Citadel Records (USA)
Mrs. Jutta Obrowski (Germany)
David Reskind (USA)
Mrs. Regina Resnik (Italy)
Alex Steinweiss (USA)
Stefanos Theodoridis (Greece)
Mrs. Frieda Valenzi, pianist (Austria)
Mrs. Deborah Yardley Beers, pianist (USA)
...and other important sources.
sellers on the internet ask exorbitant high prices. Most of the time
these prices are definitely not in relation to the offered quality
of both engineering, performance and historic value. Most
records offered are of course second hand and have usually been played
on simple equipment with a ceramic or crystal cartridge with low compliance,
as was the custom in the nineteen fifties. Therefor the groove is
often damaged. These sellers have been
inspired by the existence of The REMINGTON Site, not by love for music,
sound judgement and knowledge (otherwise they would not spell the
names of the artists wrong).
If the price is high, always ask what the return policy is beforehand.
And: read what the description is. VG ++ is not the same for all sellers.
See my recommendations of recordings after entering
The REMINGTON Site
best results choose
a picture of a cover or of an artist,
a personal recollection, or
one or more details: