Humphrey, a piano teacher in Newport near Cardiff (Wales, Great Britain)
had many pupils. One day, in the early nineteen twenties, a small,
blind boy was presented to her. He came from a deprived background.
Margaret immediately recognized his talent, took him under her wing
and gave him lessons for free. The young boy's name was Alec Templeton.
Goodman and His Orchestra play Bach Goes To Town.
Alec Templeton is soloist in Gershwin's Rhapsody in Blue with
Andre Kostelanetz conducting.
music lovers know Alec Templeton as the composer of "Bach
Goes To Town". And if their knowledge goes a bit further
they also may recall "Mozart Matriculates" and even
"Scarlatti Stoops to Conga", but not that he composed
serious music also.
was known as the radio and TV celebrity who, in the nineteen forties
and fifties, regularly appeared on shows hosted by Bing Crosby, and
who later had his own show called "It's Alec Templeton Time"
(June 3rd - August 8th, 1955).
more serious collector, while consulting a record catalog for references
of specific recordings, may have seen the entry under Gershwin of
blind Alec Templeton's recording of "Rhapsody in Blue"
with Andre Kostelanetz for Columbia first listed in the 1942 edition
of The Gramophone Shop Encyclopedia of Recorded Music. The recording
was issued on two 12" shellac discs (CX-196; C-DX1045/6)
and later dubbed to vinyl LP ML-4455 and was listed in Columbia's
catalog next to the famous recording of Oscar Levant with the Philadelphia
Orchestra and conductor Eugene Ormandy.
recording by George Gershwin himself with Paul Whiteman and his orchestra
on one Victor 12" disc (V-35822) and on Columbia (Great Britain
C-1395) was the abridged version.
Levant mastered both the "Rhapsody" and the "Concerto
in F" with insight and skill as hardly anybody else did, Templeton
- being a talented improviser also - had a good rhythmic feeling for
Gershwin's syncopated music, while his Rhapsody in Blue clearly shows
that his technical skill was somewhat limited.
Templeton at the time of his NBC radio broadcasts for Alka Seltzer.
image editied by R.A.B.
(From the SoundFountain Archive)
radio and TV fame was a good reason for Don Gabor to have a recording
made of the improviser which was released on Remington R-199-158
- Alec Templeton plays improvisations on Offenbach and Strauss.
Templeton was a popular artist and known by many Americans who had
heard the radio shows or were watching his TV appearances. There was
a market for a recording by legendary Alec Templeton. Despite the
fact that he is not a virtuoso and does not play the demanding - and
at times highly complex piano style - impeccably, Templeton's is an
outstanding interpretation. The treatment of the rhythmic sections
are very original, his phrasing is beautiful, and the accentuation
is well chosen. The blues in the second movement (Andante con moto)
is soulful, foreboding the dramatic, expressive lamentation at the
end of the movement.
critics were very positive about the performance of Templeton playing
and of Johnson's conducting which is to be preferred to the sentimental
accompaniment of Andre Kostelanetz on Columbia. Johnson lifts the
score to a more serious level. Also the sound quality of the recording
of R-199-184 was praised.
De Motte evaluated the performance in
Long Playing Record Guide: "Templeton-Johnson enjoy their
musical romp and are well recorded." In some instances in the
score Oscar Levant may be the better pianist since he may have known
out of first hand what Gershwin was expressing, but the cooperation
with Andre Kostelanetz resulted in a somewhat sloppy affair, while
Templeton and Johnson turned Gershwin's composition into a real concerto.
wonder that Dutch critic Ralph N. Degens mentioned Templeton's
somewhat restricted technique, but praised the outstanding musicality
of Templeton and Johnson and wrote: "...his interpretation
as well as the orchestral part are very compelling." And
he also referred to Robert Blake's successful sound recording: "The
sound transmitted by this record has a flabbergasting clarity and
naturalness; especially the sound of the piano is a surprise."
That review was written in 1955.
with the recording of the Prokofiev concerto played by Jorge Bolet
and the same orchestra, here too the grand piano was most certainly
Templeton around 1953.
(Picture taken from R-199-158. Edited by R.A.B.)
Andrew Templeton was
born on July 4th, 1909 in Cardiff (Wales, UK) and was blessed with
absolute pitch. At the age of four, he composed his first piano composition
and earned his first money when playing at a children's concert. He
began his musical studies at an early age in his hometown and as a
teenager auditioned for the British Broadcasting Corporation
(BBC) and played for them until 1935. Meanwhile he studied at the
Royal Academy of Music and the Royal College of Music,
both in London. He held degrees for both institutions.
eighteen he composed "Trio for flute, oboe and piano"
for which he was complimented by composer Ralph Vaughan Williams.
On Counterpoint/Esoteric 5533 Alec Templeton plays his "Trio"
together with Julius Baker (flute) and Albert Goltzer (oboe) and on
side two The Phoenix Quartet plays Templeton's "Quartet Pastorale"
which is his Quartet No. 2. The Trio was recorded by Robert E. Blake
Jr., Don Gabor's recording engineer.
trait of Templeton was his English humor. That is why his compositions
have such witty names as "You and I On Our Lanai", a Hawaiian
song, or - on the more serious side - one can but smile at the title
"Pocketsize Sonata" for clarinet and piano. (He wrote a No.
1 and a No. 2).
Templeton's compositions are available as sheet music and can be found
on the web, and are also appreciated by music students who are constantly
searching for uncommon repertory.
Hylton and His Orchestra. He took his vocalists and arrangers
to the United States, formed an American Orchestra and played
at the Drake Hotel, Chicago and also for Commercial Radio.
the cover of Joy Records D 267/Decca Eclipse ECM 2046.
British bandleader, who with his jazz orchestra had played in the
Paris Opera, brought Alec Templeton to the United States when Hylton
was to broadcast a series of radio programs for the Standard Oil
Company. The liner notes of Remington R-199-158 state that
"Templeton soon established himself as an incomparable and sincere
In addition to his imaginative creativity when 'modernizing' the classical
masters, Alec Templeton composed serious works for piano, for orchestra,
string quartet, and for voice. Templeton: "Good music need not be
ponderous to be good. It can be everything from Bach to jazz." His
style of composition is close to the idiom of British folk songs.
For many years
Alec Templeton and his wife Julie lived in Greenwich (Connecticut).
In the house was a large collection of musical boxes which made music
by means of perforated steel discs. Chimes were hanging from trees
in their garden and, when moved by the wind, made music. Even their
limousine had a license plate 'MUSIC'. Several records were issued
with the sound of Alec Templeton's mechanical music boxes and chimes.
Cathedral Organist Emeritus (USA), told me that in 1949, Margaret
Humphrey celebrated her jubilee as a music teacher. Alec traveled
to South Wales (Great Britain) to give a recital in her honor. Alec
Templeton also invited her to spend a holiday in America as a thank
you. Because of personal circumstances, Margaret Humphrey was unable
to make the visit, but of course she appreciated the generous invitation
was in Connecticut where Alec Templeton died, only 52 years of age,
on March 28th, 1963.
Rudolf A. Bruil, page first published fall 2001
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