

This
was Frank's 1944 recording session band. Frank is on accordion, and
standing behind him is pianist Albert Naglitch. Joe Miklavic is on
banjo and standing behind him is bass player Johnny Hokavar (Hocevar).
Drummer Hank (Henry) Bokal, who had replaced Lee Novak, was not playing
and is missing in this photograph.

This
was the first Jolly 78 put out: My Honey Polka and Give Me My Heart
Break Waltz - Jolly Recording #500.

Here
is a re-issue on Continental from 1948 with Don Gabor's name underneath
the title.

Jolly Polka, Don't Forget Me, In the Plains, Jolly Fellows Polka -
REP 55.

RLP
1026: Polka Time

My Wife's Chirping Polka, Golden Stars Polka, Cherry Polka, Happy
Minutes Polka - REP 62.


Go to YouTube
and type "Frankie Yankovic", or click this LINK

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Born
July 28, 1915, in Davis, a small town in West Virginia, accordionist
Frank Yankovic grew up in the Slovene-Italian section of Collinwood,
Ohio. His parents were Andy Yankovic and Rose Mele.
Frank began playing the accordion when he was 9, and his mother bought
him his first "piano-accordian" when he was 16. Frank's first band
consisted of Albert Naglitch (piano), Johnny Hokavar (Hocevar) (bass),
Bill Dunlavey (sax), Frank Skufka (banjo), and Lee Novak (drums).
They became the most popular band in Cleveland performing at weddings
and all sorts of parties.
In 1938 23 year
old Frank Yankovic asked Columbia and RCA to make recordings of his
band. Both companies turned him down. So Frank decided to produce
two 78 RPM records under his own "Yankee" label. It was Heinie
Martin who took Frank and his band to the Cleveland Recording Company
Studios, in Downtown Cleveland. Fred Wolf owned the studio. Since
Frank was not thinking of a music career yet, he used "Slovene
Folk Orchestra" for his band name. Frank put up all the money
for his first records. All 4,000 copies were sold by Mervar's Music
Co. of Cleveland, Ohio, in just a few weeks.
#421 Silk
Umbrella Polka/ Always Jolly
#422 Hooray Slovenes Polka/ Waltz Medley
The success
of these records led to the recording and release of two more 78 RPM
discs in 1939, but this time, they were on the "Joliet" label
and the name of the band was "Joliet Jolly Jugoslavs". The
band members were the same as for the first releases. I could not
find the reference numbers of the following 1939 recordings.
#??? Free
Spirit Of Slovenes Polka/ Joliet Illinois Waltz
#??? How Good For Me Polka/ Girl In The Garden Waltz
Again, these
records were quickly sold out.
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Frankie
Yankovic Trio with Lee Novak and Albert Naglitch celebrating Independence
Day with fellow emigrants, family and admirers. The text reads:
Loyalties 2nd Annual Field Day - July 4th 1941 - S.N.P.J. Farm.
(Picture
courtesy Tom Bokal.)
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Although Frank
had achieved some success, he still was short of cash. This was the
more serious since he also had a family to raise. To earn more or
less a regular income, Frank joined the tavern business and opened
the "Yankovic Bar" in November 1941. He bought a tavern at
528 East 152nd Street. Frank's sister, Rose, and her husband, Tom
Milakovich, were his business partners. Everyone thought he was crazy
and predicted that his music career would soon come to an end. Because
of the uncertain situation Frank Skufka and Lee Novak decided to quit
the band.
Lee Novak was replaced by Henry "Hank" Bokal who
played with Frank from 1941 thru 1947. Despite
this fact, Frank had a recording session with Albert Naglitch (piano),
Johnny Hokavar (bass) and Joe Miklavic (banjo) in 1942. In the recording
the drummer was not replaced.
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Albert
Naglitch (piano), Hank (Henry) Bokal (drums) and Frank Yankovic
(accordion) in the early nineteen forties. In the picture below
(from right to left): Frank Yankovic, Hank Bokal and Johnny Pecon
who also played the accordion and was a member of the band from
1947 till 1949, the year when he signed up with Capitol records
and started a carreer on his own.
(Pictures
courtesy Tom Bokal.)
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Tom Bokal (son
of Hank) writes:
Henry "Hank" Bokal (1920-1982) grew up on the corner
of 153'rd street and Holmes Ave. in the Collinwood area of Cleveland,
Ohio. Hank joined the Yanks after Lee Novak left in 1941 and
before Frank Lovsin joined in 1948.
Hank, born of Slovenian heritage, had much community exposure
to European folk music. He developed a passion for playing drums
in the 1930s with many of the local ethnic bands. Inspired
by the Harry James Orchestra, he developed a unique drumming
style which applied jazz techniques to both traditional 2/4
polka and 3/4 waltz time signatures. This sound would later
be heard in the rhythm sections on classic hit records such
as "Just Because" and the "Blue Skirt Waltz"
from the Yanks.
Hank joined
the Hank "Yonkee" Yankovic band after drummer Lee
Novak left in 1941. Yankovic's Lounge was a focal point for
musical activity in the Cleveland area. The "Polka Rat
Pack" hung out there during the war years with local talents
like Pecon, Habat, Kozel, Bass, Sokach, Hokovar, Cook, Kling,
Vadnals and others.
In addition to the trap Drum set, Hank also played the Marimba
and Accordion. He composed and recorded many records with the
Yanks. His original songs included "The Charlotte Waltz"
for his daughter born in 1947 and the "Euclid Vets Polka"
just to name a few. The Yanks song writing process was unique,
many songs were brainstormed in the basement of Yankovic's Lounge
where the band practiced. Yonkee, Trollie and Pecon usually
started the melody and chord progressions for songs. Then the
rest of the band joined in to assist in refining the final arrangements.
When Frank
returned from Europe in December of 1945 after serving in World
War II, the Yanks were again reassembled as a trio. After signing
a contract with Columbia records in 1946, Hokovar, Cook and
Pecon joined to expand this trio into a full sounding orchestra.
The endless touring put strains on the married members of the
band and one by one Hokey, Hank, Al, Johnny and the rest eventually
had to leave the Yanks at the peak of their popularity.
Hank reluctantly left the Yanks in 1948 due to his wife Josephine's
complications during pregnancy with their 2'nd child Henry Jr.,
born May 21 1948.
During the 1950s, 60s and 70s, Hank continued to actively play
every weekend in a variety of polka bands in the Cleveland area.
Hank died from a heart attack in his Willoughby Hills, Ohio
home in 1982 at the age of 62.
Through
the 40's recordings (single mic-mono), my Dad was only heard
playing on the studio recordings with spoons, muffled snare
drum, foot stomping and the occasional yip-yip-yahoos. Only
on the live recordings could his Slingerland Radio King drums
with Zildjian cymbals be heard. The reason was that Frank did
not want the drums to overpower the Accordion and Banjo on the
studio recordings (as heard in the 1930s Novak recordings).
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Frank's band
recorded 10 tunes which were released only five years later, in 1947
that was, and the label was Don Gabor's Continental label.
Here are the record numbers and tunes that were released on Continental
78's:
#413 Detroit
Polka / Jolly Fellows Polka
#414 Don't Flirt
With My Gal/ Herkulovic Waltz - also found as Herkulovic - Watw -
Treba ni, treba ni
#415 My Wife's
Chirping Voice Polka/ To The Left, To The Right Polka - also found
as Moje zenke glas - Na levo, na desmo
#416 Darling,
Who Will Take My Place Waltz (featuring vocals by Dorothy and Rosie
Kravos, Frank's nieces)/ My Darling-When You Go Wandering
#417
Dizzy Day Polka/ Happy Minutes Polka 413 Detroitska polka /Dizzy day
polka

Like so
many immigrants, also Frank had joined the Armed Forces in 1943. When
he was on leave for two weeks in the following year, he decided to
make a few more recordings.
On the afternoon of Wednesday, February 2, 1944, Frank called in Miklavic,
Naglitch and Hokavar to do a marathon recording session for the "Jolly"
label. He recorded 32 songs on 16 78 RPM discs at Carnegie Hall Studios
of the Cleveland Recording Company Studios.
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#413,
#415, #506 and #512 here played by the "Plymouth Polka
Orchestra", released on 7" 45 RPM Continental CEP-3
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These records
were also the first Yankovic recordings with the Solovox
(electric organ). The recordings were produced by "Heinie" Martin
Antoncic and studio owner Fred Wolf. There was no time for rehearsals
and no time to fool around. If they hit a wrong note they just kept
on playing. In fact, Frank even brought in Seagram's "to keep the
boys happy". If you listen to some of these recordings, they do sound
like everyone had a good time! These are the 16 Jolly 78 RPM records,
which give credit to "Frankie Yankovic's Slovene Orchestra":
#500 My Honey
Polka/ Give Me My Heart Back Waltz
#501 Jolly Polka/ Vadnal Waltz
#502 Don't Forget Me Polka/ Yankovic Polka
#503 Be Mine, Be Mine Polka/ Slovene Waltz (No.1)
#504 Don't Flirt With My Gal Polka/ Kukavica Waltz
#505 Jolly Fellows Polka/ Herkulovic Waltz
#506 Be Happy-Polka/ Bye Bye Baby Polka
#507 Wifey's Chirping Voice Polka/ Playful Boys Polka
#508 Three To The Left, Three To The Right Polka/ Orphan Waltz
#509 Cherry Polka/ My Honey Is Wandering In Tirole Waltz
#510 Happy Minutes Polka/ Venitian Waltz
#511 Daisy Polka/ Jingling Tingling Polka
#512 Golden Stars Polka/ Detroit Polka
#513 Where Is That Fly Polka/ Summer Night Waltz
#514 St. Clair Polka/ I Know Of A Sweet Little Girl Waltz
#515 Clap And Turn Slovene Folk Dance-Polka/ Yours Polka
Fred
Wolf sold all the copyrights and some masters from the 1942 and 1944
cuts to Don Garbor for $3,000. Gabor began re-releasing these from
1948-1949 on. There have been many more, but this is all that I have
found so far of "Frank Yankovic and his Orch." on Continental 78's:
#??? "Poppy Polka" (B-side is "Slovene Polka" by the
Lausche Trio)
#418 Daisy Polka/
Jingling Tingling Polka
#420 Clap And Turn Polka/ Venetian Waltz
#422 "The Oak Tree Polka" (B-side is "We Won't Go Home" by the Lausche
Trio) What's funny is that "Oak Tree" is actually a re-issue of Frank's
1939 Joliet recording "How Good For Me Polka". Which is very odd that
Gabor also got a hold of this.
#1201 Be Happy Polka/ Bye Bye Baby Polka
#1203 My honey Polka - Happy minutes Polka
#1204 Yankovic Polka/ Fly Polka (This was also released in an album
set "Frank Yankovic In Polka Time" on Continental #49)
#1205 Jolly Fellows Polka/ Yours Polka (NOTE: These two 78's could
have been also released in an album set, Continental #49. But I have
not yet been able to find the others and I don't have the album for
this.)
#1206 Cherry Polka - Golden stars Polka
#1214
St. Clair Polka/ My Honey Is Wandering In Tirole
#1219 Playful Boys Polka/ Orphan Waltz
#1220-B Jolly Polka (A-Side is "Too Fat Polka" by Jimmie Dale and
his Prides of the Prarie")
#1231 Don't Forget Me Polka/ Vadnal Waltz
#1239 Give Me My Heart Back/ Cukoo Waltz "
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Positively
no jitterbugging - Yankovic's Bar band (Left to right): Mickey
Kling, Pete Sokach, Kenny Bass, Eddie Habat, Frank Yankovic, John
(Hokey) Hokavar, Jim Kozel, and Johnny Pecon.
(Picture
courtesy Tom Bokal.)
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Many of
these recordings had either the beginnings or the ends chopped off
. On the majority the annotation "Arr.: Don Gabor" in between brackets
was printed below the song title. Did Gabor mean that he really had
arranged the music or just did arrange for the release? In most cases
it was Frank himself who wrote the songs. Manipulation was another
Gabor's trademark. He even had vocals dubbed in by Scotty MacGregor
and Patsy Garrett who of course were not on the original recordings.
I am not sure if Gabor did this himself.
#1249 What's-A
Gonna Be? (which is really Daisy Polka)/ Mountain Wedding Polka (Jingling
Tingling Polka) with vocals by Scotty MacGregor.
#1254 Tinker's Song/ Whistling Sweethearts Polka. This record was
issued on red shellac with black spots over it, with vocals by Scotty
and Patsy. A reference number is yet unknown to me.
Soon after
the introduction of the 45 RPM disc by RCA, Gabor transferred several
titles to 45 RPM Continental records in 1949-1950. So far I have found
three, but I have also spotted others.
#009 Golden
Stars Polka/My
wife's chirping voice
#036 Herkulovic Waltz
#038 Playful boys - polka/Jolly polka
He also
released Frank Yankovic on Remington. On Remington 78 RPM I found:
#15009
(Golden Stars Polka/ My Wife's Chirping Voice Polka)
And
on Remington 45 RPM:
#036 Herkulovic
Waltz/ Daisy Polka
#1017 To The
Left, To The Right Polka
#1061 "Fly Polka/ Daisy Polka"
#1062 Jolly Polka
On
Remington also 45 RPM box sets were issued:
# RB-906
Bye Bye Baby Polka/ Yankovic Polka/ To The Left, To The Right Polka/
My Honey Polka/ Cherry Polka/ St. Clair Polka
#RB-921 "Polka
Time" Daisy Polka/ Fly Polka/ Jolly Polka/ Playful Boys Polka/ Dizzy
Day Polka/ Golden Stars Polka
Don Gabor
often used the title "In Polka Time", especially for 10" LP's and
Extend Play 45's. Often the same songs were released with different
titles like "In The Plains" and "Joliet". Scotty MacGregor and Patsy
Garrett on vocals could also be found on yet another release:
#1029 "Yankovic
In Polka Time"
Continental Extend Play 45's:
#CEP-3 Polka Parade Tracks: Jolly Fellows Polka/ Golden
Stars Polka/ Be Happy Polka/ To The Left, To The Right Polka
Buckingham 45's:
#002 Daisy Polka/ Detroit Polka #004 My Wife's Chirping
Voice Polka/ Clap And Turn Polka #005 Jingling Tingling Polka/ My
Honey Polka #007 To The Left, To The Right Polka/ Golden Stars Polka
Don Gabor
also released most of these recordings on his later labels in 1956.
The earliest I could find was on the Paris label:
#6 "Frank Yankovic and Other Polka Stars"
(side B is Victor Zembruski)
The same
recordings of the same songs were released on both the Masterseal
and Paris labels:
Masterseal
#5009 "Frank Yankovic's Polka Party"
Palace #704 "Frank Yankovic's Polka Party" (both have the same exact
covers, and both have V. Zembruski on the flip)
Frank's
recordings, which were released on these albums were also issued on
a 10" Lp on the Cadillac label, which was also related to Remington.
Even late in the ninteen fifties these early recordings were reissued,
for example on the Altone label:
#235 "Polka
Festival" with Frank Yankovic.
This album
has two selections with Scotty MacGregor, "Boarding House Polka" (which
is the same as "Playful Boys Polka") and "Whistling Sweethearts Polka".
All of the albums mentioned here are related to Remington and Don
Gabor. The back side of these albums say "500 Fifth Ave. New York
36, NY".
Don Gabor was a master in using the same recordings over and over
again. He could do this because he was sure that there were a lot
of Yankovic fans around.
The majority of the recordings mentioned on this page were also released
on 3 cassette tapes (and possibly on record, I'm not sure) called
"Frank Yankovic, The Early Years", on Sunshine Records around 1990-91.
Johnny Hokavar later said about these recordings, "We all had a good
time, especially Fred Wolf. He couldn't believe how many records we
were cranking out!" Johnny passed away on July 20, 1991.
Albert Naglitch continued to record for Frank until about 1950. He
even recorded Frank's hit "Blue Skirt Waltz" with the Sakach-Habat
Tunemixers. He died in March of 1983.
I don't know what happened to Joe Miklavic.
As for Frank, when after his first sucess he had signed up with Columbia
Records in 1946, he recorded "Just Because" which sold over a million
copies. Following that was "Blue Skirt Waltz" which sold even more
copies.
Frank Yankovic
achieved national fame and was crowned "America's Polka King". He
released countless amounts of recordings and hits. After
the Remingtons and Masterseal reissues, he recorded several Columbia
stereo discs like 'The All-Time Great Polkas' and 'The All-Time Great
Waltzes'.
In 1986, Frank
was the first polka star to win a Grammy Award. He is the only Slovenian
polka artist to have a full length biography and a PBS documentary.
Frank was inducted into the National Cleveland-Style Polka Hall Of
Fame, and is a big legend in the history of polka music.
Frank passed away on October 14, 1998 at his home in New Port Richey,
Florida. Johhny Pecon (vocals & accordion) was born in
1915 and died in 1975. Data about Georgie Cook (banjo), Al Naglitch
(piano), Hank Bokal(drums) and Hokie Hocevar(bass) are not known.
A special
thank to Frank Smodic, Jr. for his book, "Through The Years" with
Frank Yankovic. And thanks to Brian Juntikka for his notes from the
tape set "Frank Yankovic, The Early Years". It is possible that some
of the information which I give on this page and comes from my own
research may not be 100% accurate. If you happen to have any addition
and/or correction please click below on "Contribute" so
your information can be included. - Ryan Barna.
Ryan
Barna - Research and original text.
Additional research, editing and updating - Rudolf A. Bruil.
Thanks also to Tom Bokal for additional information and black and
white pictures.
Page first published April, 2001.
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